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安承弼 (中國) |
| 安承弼，1991年畢業於上海音樂學院作曲指揮系，師從楊立青教授和趙曉生教授學學院（CNSMP）高級作曲班，作曲師從Gerard Grisey，電子音樂師從Laurent Cuniot。1998年，作曲和電子音樂以一等獎畢業。1998年至今任法國國家電臺聲音研究所INA-GRM簽約作曲家。2002年至今任上海音樂學院電子音樂中心特聘教授、音樂總監。 自1993年室內樂六重奏《冥悟》獲希臘奧林匹克國際作曲比賽獲獎以來，先後創作的交響樂、室內樂、電子音樂等作品，分別七次在“第十五屆IRINO國際作曲比賽”、“義大利第八屆Gino Contilli國際交響樂比賽”、“第八屆ALFREDO CASELLA國際作曲比賽”、“韓國交響樂比賽”、“義大利ICONS國際電子新音樂素材探索比賽”中獲得獎項。1996年入選聯合國世界六大青年作曲家。 1991年以來，先後在法國、義大利、德國、英國、美國、非洲六國、加拿大、奧地利等二十多個國家和地區公演和發表音樂作品。出席的重要藝術節和音樂節包括：亞洲現代藝術節、法國Presences國際藝術節、法國第五十二屆Pablo Casals國際藝術節、MALAKOFF國際藝術節、Bienma國際藝術節、奧地利Aspekte國際藝術節等。曾經與Ensemble Intercontemporain、Ensemble Court-Circuit、Nouel Ensemble Moderne、韓國KBS交響樂團、漢城交響樂團、米蘭交響樂團、巴黎交響樂團合作。合作的著名作曲家有：中提琴演奏家Bruno Pasquier、長笛演奏家Ceeile Daroux、小提琴家Hea-SunKang、鄭京和等。其作品在法國國家電臺、希臘電臺、加拿大電臺、韓國KBS、英國BBC、日本NHK、中國上海電臺等四十多家世界媒體機構播放。 |
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Xavier Rodet （法國） |
| Xavier Rodet's research interests are in the areas of signal and pattern analysis, recognition and synthesis. He has been working particularly on digital signal processing for speech, speech and singing voice synthesis and automatic speech recognition. Computer Music is his other main domain of interest. He has been working on understanding spectro-temporal patterns of musical sounds and on synthesis-by-rules. He has been developing new methods, programs and patents for musical sound signal analysis, synthesis and control. He is also working on physical models of musical instruments and nonlinear dynamical systems applied to sound signal synthesis. Xavier Rodet is currently working at Ircam where he is leading the Analysis/Synthesis Team. |
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Chris Chafe (美國) |
| Chris Chafe is a composer/ cellist / researcher with an interest in computer music and interactive performance. The Duca Family Professor of Humanities and Sciences at Stanford University, he has been a long-term denizen of the Center for Computer Research in Music and Acoustics where he directs the center and teaches computer music courses. His doctorate in music composition was completed at Stanford in 1983 with prior degrees in music from the University of California at San Diego and Antioch College. His areas of research involve methods for computer sound synthesis based on physical models of musical instrument mechanics and "SoundWIRE," which explores musical collaboration and network evaluation using next-generation internets for high-quality sound. He has performed his music in Europe, the "Organum" which is a synthetic animation taking place in an invented world of larynx creatures (DVD) and led to the "Organum Play Test" for collaborative game play. |
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Fernando Pablo Lopez-Lezcano（阿根廷） |
| Fernando Lopez-Lezcano (Buenos Aires, 1956) received both a Master in Electronic Engineering (Faculty of Engineering, University of Buenos Aires) and a Master in Music (Carlos Lopez Buchardo National Conservatory, Buenos Aires). He started working with electroacoustic music by building his own analog studio and synthesizers around 1976. After graduating he worked for nine years in industry as microprocessor hardware and software Design Engineer for embedded real-time systems, while simultaneaously pursuing his interests in electroacoustic music composition. Starting in October 1990 he spent one year at CCRMA, Stanford University, as Invited Composer and latter did research in dynamic sound localization and taught for one year at the Shonan Fujisawa Campus of Keio University, Japan. He is currently Lecturer and Systems Administrator of the computer resources at CCRMA, where he splits his time between the company of good friends, keeping computers and users at CCRMA more or less happy and enjoying the arts of composing msic and writing software. His music has been released on CD's and layed in the |
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