O1-Interactions

Chair: Shyh-Kang Jeng

Time : 10:10-11:10 3/18

Room : Cheng101

The integrated methodology and research of the interactive intermedia art for the sound, vision and dynamic machinery

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Digital Music Composition with Interaction

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Banded Waveguides in a CLM instrument using Banded Waveguides and Friction

  Juan Reyes

O2-Audio Signal Processing 1

Chair: Hung-Yan Gu

Time : 11:15-12:15 3/18

Room : Cheng101

Analysis and synthesis of solo erhu music

Yi-Song Siao, Wei-Lun Chang, Alvin W.Y. Su

Improving of Harmonic plus Noise Model for Mandarin Singing Voice Synthesis

Hung-Yan Gu, Huang-Liang Liao

Automated optimization of parameters for FM sound synthesis with genetic algorithms

Yuyo Lai, Shyh-Kang Jeng, Der-Tzung Liu, and Yo-Chung Liu

O3-Audio Signal Processing 2

Chair: Wei-Ho Tsai

Time : 16:00-17:00 3/18

Room : Cheng101

Novel audio compression method based on spectral oriented tree

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Using the Format of Lossless Audio Compression to Implement the Payment Mechanism for Internet Streaming Media

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Adaptive noise level estimation

Chunghsin Yeh and Axel Röbel

O4-Music Information Retrieval

Chair: Jyh-Shing Jang

Time : 10:30-11:30 3/19

Room : Cheng101

Comparison of Different Retrieval Models in Content-Based Music Retrieval

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Extraction of segments of significant emotional expressions in music

Tien-Lin Wu and Shyh-Kang Jeng

O5-Audio Recognition

Chair: Alvin Y. U. Su

Time : 12 :45-13 :45 3/19

Room : Cheng101

A music transcription system for singing voice

  H. Z. Yien, R. Y. Lyu

A new pitch estimation method for musical recordings of solo bowed-string and wind instruments

Yi-Song Siao and Alvin W.Y. Su

The applications of sieve theory in algorithmic composition using MAX/MSP and basic

Shu-Chin Hsiao, Durate Jose, Chih-Fan Huang, and Winsor Phil